Why does my girlfriend act like my mother I hate it. There are studies that say we are attracted to people like our opposite sex parent. I thought opposites attracted. We're attracted to opposites for short term relationships, probably to increase genetic diversity. But for long term partners, we look for someone like the opposite sex parent that raised us because that is our example of what a mate should be like. I'm afraid that sounds like Freud. And I really don't want to have sex with my mother, or even someone like her.
Sometimes we seek out people who follow behavior patterns we are used to, even if we want to escape them. For example, many people who grew up in alcoholic homes end up dating or marrying alcoholics because that is the pattern that feels right. Only because it is familiar. It's the same reason girls who were abused end up with a new abuser unless she gets a whole lot of counseling. And no amount of self esteem lectures will fix it, only in depth counseling to fix the odd pattern that she's trying to fill. We're instinctively attracted to what we grew up.
With. At least you're saying I'm not subconsciously trying to have sex with my mother. No, but you want to be with someone who treats you like her. She nagged me, she lectured me and she didn't show me proper respect. She raised you, she loved you, and you associate those behaviors with that unconditional love. Oh, there were plenty of conditions. And what conditions does your current girlfriend put on it Giving her things or giving in to her It's a really long list. Something attracted you to her, or you wouldn't be with her.
Selma Movie Review JPMN
Even though this historical drama didn't see wide release until January 9, 2015, it somehow still qualifies as a 2014 picture because it was available in 19 theaters on Christmas Day. The Ava DuVernay film, which more than doubled its $20 million dollar budget, chronicles Dr. Martin Luther King Jr.'s campaign to secure equal voting rights through an epic 1965 demonstration in Selma, Alabama. In what is easily his biggest and most daunting role yet, David Oyelowo portrays the influential civil rights leader with a quiet determination. that bursts into loud oratory during his famous and forceful speeches. Although a majority of the PG13.
Rated story is very historically accurate, DuVernay actually had to write new variations of these speeches, since another studio already purchased the rights to the real ones. Even still, when Oyelowo defiantly declares to an enraptured congregation, Our lives are not fully lived if we're not willing to die for those we love, for what we believe. it's hard not to get swept up in MLK's passion. We're introduced to the doctor as he struggles with a knot on his ascot tie. It's a small and intimate scene opposite Carmen Ejogo,.
But by opening the picture with it, the largerthanlife figure is immediately humanized and relatable. Ejogo isn't featured as much as I would have liked, but she delivers a powerful performance when she questions her husband on his infidelity. Tom Wilkinson has a significant role as President Johnson and his transformation from reluctance to acceptance is a rewarding thing to witness. Andrew Holland, Giovanni Ribisi, Wendell Pierce, Common, Cuba Gooding Jr., Tim Roth, Oprah Winfrey, Stephen Root, and Martin Sheen round out the awesomely talented and familiar supporting cast. Many of which only get a scene or two, but show clear reverence for the delicate.
Subject matter they're portraying. Jason Moran's stringheavy score provides a suitable and serious tenor to the proceedings, while the actors are frequently framed in profile with subtle handheld motion. The centerpiece sequence of the 127minute feature is an artistically shot, slowmotion account of the infamous Bloody Sunday , where Selma officials violently clashed with peaceful black protesters on the Edmund Pettus Bridge. For those who may not be familiar with this dark part of American history, Selma does a great job explaining its importance and consequences. Oyelowo remains focused on his objective, but he's always.
Pragmatic. overtly aware of the strategies needed to sway public perception. The sad reality is how relevant this narrative still is, a halfcentury later. Voter suppression, racism, and police brutality plague our society even today. That being said, as a movie proper, it lacks a personal depth to really be effective. Characters are being obfuscated and marginalized, but they're not people we actually care about. The requisite where are they now onscreen text that closes out the film literally introduces us to a new character, only to kill her off in the same sentence. Had we followed this individual's journey earlier in the movie,.
This moment might have worked. Honestly, if it wasn't for the subject matter, whiteguilt wouldn't have led the Academy to nominate this at all. And indeed, its nomination for Best Picture is especially curious as it wasn't nominated for any of the other top categories, a rare anomaly at the Oscars. A slowerpaced dramatization that isn't impressive enough to warrant repeat viewings, Selma is still an important and respectful account of King's legacy. And here's what you had to say about in the YouTube comments. You applauded the direction and cast, rating this a GREAT. I was a bit more critical of.
Lost In Translation Review JPMN
The second film in director Sophia Coppola's, perhaps nepotistic career, this deliberately slowpaced 102 minute drama was released in October of 2003, and was a surprise hit earning four Oscarnominations, and over $110 million in profit. The AcademyAward winning screenplay follows Murray as an aging movie star who travels to Tokyo for a week to film a commercial, but in the midst of a midlife crisis, he forms an unlikely bond with Scarlett Johansson, a young college graduate visiting Japan with her husband. Much like a fine wine, Murray's talent and delivery have only gotten better with time, his nuanced performance is poignant,.
Relatable, and amusing scoring him a Best Actor nomination, the only in his long career. Holding more than her own opposite, the 19yearold starlet is distractingly beautiful at times. but its her subtle performance, exuding loneliness mixed with a tinge of hope that truly anchors this picture's emotional center. Despite their massive agedifference, two have remarkably undeniable chemistry. Anna Farris's trademark ditzyblonde persona appears briefly, and who else but Hollywood jackofalltrades, Giovanni Ribisi makes a convincing turn as Johansson's distracted husband. Artistically shot with static, and drawnout shots, the entire narrative is driven only by digetic sound with inworld karaoke and lounge singers.
Providing some onthenose emotional cues. The romance at this film's center is doomed from the start, but how it unfolds is fascinating to watch. The Rrated picture certainly isn't for younger viewers but the adult themes of unhappiness, infidelity, cultureshock, and unrequited love will certainly resonate with all of those who have questioned their place in life at one time or another. Finally stepping out of her father, Francis Ford Coppola's shadow, Sophia expertly captures those quintessential human moments, when little besides a glance or a smile is shared. You know those late nights we've all had, talking about the meaning.
Of life with our best friends until four in the morning This entire picture sort of captures that essence and emotion perfectly. Which is a commendable and intriguing accomplishment on its own right, but very little actually drives this plot. Balancing the absurdity of life with some potential hopelessness, this picture bounces from laughoutloud moments to thoughtprovoking developments effortlessly. Unquestionably though, it feels like a student arthouse film dialogue heavy, slow, and thanks to an overtly ambiguous ending, not much actually happens, either leaving you little reason to watch this again any time.
Soon. That being said this is an excellent character study, with a resoundingly compassionate romance story that's brimming with atmosphere and originality. Lost In Translation , Brilliant performances, tragically beautiful story. Now lets read your comment reviews from the YouTube comments. Lost In Translation. a double SEVEN. Some incredibly varied opinions on this, some were blown away by the acting, and relatable lovestory, while others found the picture to be pretentious and boring, your ratings averaged to a COOL. There's certainly plenty to enjoy in this picture, and I definitely recommend it if you're in the mood for a quiet, unexciting.
Aggression 4 learned
And now we'll be talking about how people learn aggression. So social learning essentially says monkey see, monkey do.' So we learn from other people and we also learn aggression from other people. And the most famous example of social learning and aggression is a study by Albert Bandura and he had children watch a TV clip of this adult beating up a bobo doll. So that thing that she's kicking around, that's the bobo doll. And she would engage in these behaviors and then they put the children in a room where they had some toys that they.
Could play with and then the experimenters took the toys away. So the children were frustrated. So the experimenters were taking advantage of frustration as a cue for aggression. And what they found was, when those children were frustrated they beat up the bobo doll as well. So the children learned from watching the adult that aggression towards this bobo doll was acceptable. So what bandura took from this study and what we all take from this study is that children can learn aggression. They don't necessarily have to have negative.
Feels towards something but they can learn to aggress against targets as they see role models aggress against targets Another way that aggression is learned is because aggression is often rewarded. So when you see children bullying each other, those children who are bullying don't get in trouble and, in fact, they frequently get rewarded by their peers in terms of liking and status for aggressing against other children. And so, those bullies are learning that aggression actually brings good things to them and so they learn to aggress as a way to achieve these good things.
The general aggression model is kind of an overarching model of aggression that says there are both external and internal causes for aggression. So for example, an external cause or an external contributor to aggression is whether or not an authority is present. So if an authority person is not present then aggression is more likely to happen. Another obvious cause of aggression is if you feel like somebody is aggressing against you. Then you are likely to react with aggression. Examples of internal causes are thing that have to do with you. So if you are just a naturally peaceful person.
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